Our Work
A look at the studios, galleries and sets where we plan, test and refine live television production.
The details behind a steady live broadcast
Live television depends on small, careful decisions: how a cable is labelled, where a panel sits, how a key light falls on a face. These scenes show the kinds of work our services involve.
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Gallery racks wired and labelled
Routers, converters and intercom units are wired to a clear plan and labelled at both ends, so a fault can be traced in minutes by someone who did not install it.
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Vision mixer tested with the crew
Before handover, the vision mixer is run through real rundown scenarios with the people who will use it, covering transitions, keys and the quick fallbacks needed on air.
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Camera framing practice for interviews
Operators rehearse two-shots, singles and slow reframing on live interview formats, learning how to hold a clean shot while the conversation changes direction.
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Measuring the room before treatment
Reverberation and background noise are measured at the desk and the guest chairs, so acoustic panels go where they will make a real difference to speech on air.
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Lighting plan for a news desk
Key, fill and back light are positioned to give presenters even, natural faces and a set that looks the same in the first minute and the last hour of a long show.
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Rundown review in the gallery
Producers, directors and technical leads go through the rundown line by line, marking cues, talkback calls and fallback steps so each person knows what to do when something slips.
The numbers behind our work
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2012
Founded
infozelle
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5
Service areas
Studio Equipment Integration, Camera Operation Coaching, Acoustic Optimisation, Lighting Design for Live Sets, Production Workflow Review
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4
Team profiles
Helen Marsh, Daniel Okafor, Priya Shah, Tom Eastwood